Rogue One: A Star Wars Story

The overall effect is to (a) humanize and (b) expand the Star Wars project along familiar lines. The plot-holes – Bodhi Rook experiences a Memory Edit by a Supernatural Creature that is simply forgotten, the back-and-forth McGuffin of the Death Star schematics in fact bears very little logical examination and the last-minute romance between Jyn Erso and Cassian Andor is rumoured to have been accentuated by reshoots – seem to be an interesting feature of conversation for the fans rather than any reason to doubt the efficacy of the franchise. The economics speaks for itself. Rogue One is one of a number of recent sf films and tv series that successfully insert a strong female lead into action narratives without including other women among the major protagonists: it is difficult to build a meaningful dramatic triad around such a character without reverting to “father” or “lover”; hence, Jyn begins the movie by doing it for her dad and ends it holding hands with a man (see Women in SF). If certain sequences of Rogue One seem familiar to fans of science fiction cinema, it is more than vague similarity: editor Colin Goudie mapped out the film before shooting began by using footage from other films, in much the same manner employed by the Duffer Brothers during the pitching process for tv series Stranger Things (2016-current): the interrogation scene from Aliens (1986) was used to stand in for Jyn Erso’s first meeting with the Rebel council for instance, and a scene from Wargames (1983) was used to pace-out the sequence in which Jyn and company break into the Imperial data banks. This does not harm the overall effect: originality is not required. George Lucas reacted positively to Rogue One after making some disparaging remarks about Star Wars: Episode VII – The Force Awakens – he has since apologized to Disney – and there are rumours he may become more closely involved in future spin-offs, all of which will be standalone projects that refer to the central corpus of nine films without affecting their events. Disney’s investment seems securer than most:-

Rogue One


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