Suicide Squad

Suicide_Squad_Vol_5_1

 

“I’m a man, okay? I ain’t no Weapon,” insists Chato Santana, or “El Diablo” as the pyrokinetic Los Angeles gang member is generally known. Assassin-for-hire “Deadshot” (Smith) soon persuades Diablo to employ his napalm-like Psi Powers on behalf of the nation whose system of Crime and Punishment so often informs the themes and character-arcs of its Superhero narratives, from the genesis of Batman in Detective Comics #27 (May 1939) to the successful forays into on-demand Television on the part of the Marvel Cinematic Universe in Daredevil (2015-current) and Luke Cage (2016-current). One might argue that the entire genre is about turning oneself into the means by which Cities and communities are defended or destroyed, and that by combining the journey of the Hero from Greek Mythology with the trope of the Mysterious Stranger in Le Comte de Monte-Christo (1844-1845 18vols; trans Emma Hardy as The Count of Monte Cristo 1846 3vols) Alexandre Dumas laid the genre’s most important cornerstone: the confluence of a secret Identity with a thirst for revenge:-

 

Suicide Squad entry

 

Detective_Comics_27

Monte Cristo

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