Starfall

Giant, beetle-like Aliens dubbed “Scarabs” destroy earth’s twelve most populous Cities in the autumn of 1951, fortifying the impact of their Invasion by use of superior Weapons and Technology to bring much of humanity into conditions of Slavery. As with the invaders from Mars in H G Wells‘s War of the Worlds (April-December 1897 Pearson’s1898), the Scarabs have been observing the planet for some time, and have scheduled their arrival to occur at precisely the point between planetary depletion from War and developments in Nuclear Energy. Nigel Kneale-scripted dramas such as The Quatermass Experiment (18 July-22 August 1953 6 episodes) and Quatermass and the Pit (1968; vt Five Million Years to Earth) direct Starfall‘s comprehension of the thematic link between humanity’s predisposition to fascistic behaviour [see “Nigel Kneale and Fascism” under links below] and the suitability of planet earth as a target for the Colonization of Other Worlds:-

 

Starfall entry

Hurtwood

 

I’ve had couple of trips down to Surrey in the last week or two, once for a hike and once for live action roleplay.

The convenience of the North Downs being less than an hour away on the train cannot be overestimated. Get out there if you can: sunshine and play are the best restorative.

 

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Don’t laugh; I cut a magnificent figure.

Lathe of Heaven

The light changing is such a relief. Winter was rough but there were a few high points.

We’ve no home group for roleplay anymore but I did have a preliminary costume fitting for my character in Old World Adventures, an ongoing larp inspired by the world of Warhammer Fantasy Roleplay.

If you’re ill or if you lost someone this winter, then bless you.

 

lathe-of-heaven2

Annihilation

Much of the bi-associative strangeness of the book’s descriptions of Area X is preserved: blossoming branches act as antlers on deer, human limbs are melded into the root systems of trees, concentric rows of teeth occur inside the crocodile-like Monster that attacks the women as they explore an orchard of humanoid bushes. “A religious event? An extra-terrestrial event? A higher Dimension? We have many theories and few facts,” admits Ventress. “When you see beauty in desolation it changes something inside you,” says VanderMeer’s protagonist in the novel. “Desolation tries to colonize you.” This is, perhaps, the most important attribute of the New Weird – that it replaces human delusions of self-importance with deeper and more mysterious truths. From the Space Opera scope of M John Harrison‘s Kefahuchi Tract trilogy with its pointless repetitions of people and the monstrous haunting of humanity from the Time Abyss to the Drugs and crime (see Crime and Punishment) and photography sequence of the Cass Neary novels by Elizabeth Hand – both series of novels display their authors’ facility at counterbalancing Postmodernism with a deep comprehension of genre – the form must go beyond its delivery mechanisms to achieve its emotional payload. More often than not the weird does this by combining the real and the uncanny and making the uncanny seem more real than the everyday delusions of human assumption. Symbolism and surrealism is very often important to this process, as is a central scientific metaphor. In the case of Annihilation, this is cellular activity and its connotative capacity for communicating the implications of EvolutionClimate Change and Medicine:-

 

Annihilation entry

 

SolarisGif

 

Rex Whistler

It’s all been a bit of whirl since you did the scenery and the costumes for Ninette and Gavin, no time for anything; this job is immense. You know His Lordship is vexed at the overrun but you have to get every bit of it just right, for Caroline.

Nothing’s been right since the shell-shock. The sleepwalking is a bit of a worry, to be honest.

The sea is churning right there on the wall but they don’t see it: a Claudean sunset with pink clouds, fluted and pointed like the prow of boats. We live our real lives in the dream light, far from men – that’s what she says. People misunderstand you and the Lady Caroline. When she’s with you there is not one fragment of your true being, of your real personality, that does not participate unreservedly in the eternal celebration of sovereign night.

 


 

Investigator Name: Rex Whistler
Drive: Muse of Fire
Occupation: Artist
Occupational benefits: Anagnorisis – you may spend your point of Mythos to trigger the denouement of the game; you have Medium as an Investigative Ability.
Pillars of Sanity: Drive fast, die young; huntin’ and shootin’.
Build Points: 2

 

Architecture 2
Art: Engraving 1
Art History 4
Cthulhu Mythos 1
Dream Lore 1

Medium 4
Occult 1
Physics 1

Charm 4
Credit Rating 2

Craft 2
Photography 2

Art-Making 12
Athletics 5
Dreamscaping 8
Driving 8
Firearms 10
First Aid 5
Health 10
Instability 3
Sanity 8
Stability 8

Hispano-Suiza H6B coupe
Tweeds and sou’wester

 

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Lady Caroline Paget

Black Panther

The best Villains make sense of the paradigms they oppose; that the major antagonist of Black Panther, now grown up to become US military intelligence operative Erik “Killmonger” Stevens after being abandoned by the custodians of his Wakandan heritage as a boy, expresses everything that has gone wrong with the world and, simultaneously, everything that might go right with it in the Near Future, gives him a moral force far beyond that of any of the AliensAIs or Gods and Demons that have previously served as signifiers of large-scale Disaster in the Shared Worlds of the MCU. That he is also the agency of the Conceptual Breakthrough that persuades the Pocket Universe of Wakanda to re-territorialize as a member of the United Nations recasts the Lost World trope as one of cultural elision and false consciousness. N’Jadaka speaks the truth about Race in SF that large parts of the SF Megatext has had trouble accepting:-

 

Black Panther entry

 

Jungle_Action_Vol_2_8

 

Suicide Squad

Suicide_Squad_Vol_5_1

 

“I’m a man, okay? I ain’t no Weapon,” insists Chato Santana, or “El Diablo” as the pyrokinetic Los Angeles gang member is generally known. Assassin-for-hire “Deadshot” (Smith) soon persuades Diablo to employ his napalm-like Psi Powers on behalf of the nation whose system of Crime and Punishment so often informs the themes and character-arcs of its Superhero narratives, from the genesis of Batman in Detective Comics #27 (May 1939) to the successful forays into on-demand Television on the part of the Marvel Cinematic Universe in Daredevil (2015-current) and Luke Cage (2016-current). One might argue that the entire genre is about turning oneself into the means by which Cities and communities are defended or destroyed, and that by combining the journey of the Hero from Greek Mythology with the trope of the Mysterious Stranger in Le Comte de Monte-Christo (1844-1845 18vols; trans Emma Hardy as The Count of Monte Cristo 1846 3vols) Alexandre Dumas laid the genre’s most important cornerstone: the confluence of a secret Identity with a thirst for revenge:-

 

Suicide Squad entry

 

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Monte Cristo