Ashurbanipal

 

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The Assyrian king (668-627 BC) wasn’t above collecting books as war booty and I’m afraid we rather mashed-up the royal library when carpet-bagging its contents back to Europe.

Iraqi archaeologists are now excavating at Nineveh while scientists at the British Museum create an electronic catalogue of the cuneiform tablets that are available.

I find them very beautiful.

 

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Pergamino Barocco


 

The Pergamino Barocco of Roger S G Sorolla (a hastily-stapled edizione economiche of the grimoire’s ornate text was distributed by Lost Pages at Dragonmeet) communicates the defining motif of the Baroque: the Fold, on and on, unfolding & refolding, each Orientalist swirl or explosion of meteorological Physick a selection and accretion, an Old-school preference for the eddy of potential over the possibility of white space; open-ended, Generick, inexhaustive, a Fold repeating by meaning and design, a bird into whose plumage is tucked the Grimorio Minuscolo of Paolo Greco:-

 

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“I deliberately forgot to mention the sinister book’s existence, instead treating the Pergamino as a vehicle to ship the nefarious spellbook as contraband.”

 

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Sorolla’s spell “Cheirosciamancy” (pp2-3) is something of a masterpiece.
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The spell’s design bears some resemblance to that of  the “Inquirer” card from the tarot deck of Austin Osman Spare.

 

Moon

Social Contract

I was finally able to give Judith Clute her contributor’s copy of Itras By: The Menagerie last night: she was impressed by the design and the variety of the book.

The girl from Judith’s painting “Social Contract” (2017, main image) kind of breaks my heart. I want to leap into the picture and save her.

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