Electricity

Aztec war machine Thumpermonkey releases its Electricity EP on October 13 and will precede the launch with a show at Our Black Heart in Camden on October 6.

I appear in this flower court.
Pictures blossom: they’re my drums.
My words are songs.
Flowers are the misery I create.

 

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Includes text from “Enjoy!” by Terry Eagleton (a review of The Indivisible Remainder: An Essay on Schelling and Related Matters by Slavoj Žižek; The Abyss of Freedom / Ages of the World by Slavoj Žižek / F.W.J. von Schelling; The Plague of Fantasies by Slavoj Žižek) in the London Review of Books, 27 November 1997; and images from The Making of King Kong by Orville Goldner and George E. Turner, Ballantine Books, 1976; Rosemary’s Baby by Roman Polanski, Paramount Pictures, 1968, based on the novel of the same name by Ira Levin; The Thing by John Carpenter and Bill Lancaster, Universal Pictures, 1982; and Whitechapel Gallery monograph, 2011 (featuring XXXV, 2007) by John Stezaker; music is I Don’t Know If This Is A Matter For Wardrobe Or Hairdressing from We Bake Our Bread Beneath Her Holy Fire by Thumpermonkey (2010).

Reverberation!

Rumours are that the members of PABLO ALTO emerged fully-formed from three enormous eggs washed up on the banks of the River Wye; others insist they were constructed kit-form from the remnants of a schoolgirl production of R.U.R.: Rossum’s Universal Robots: Kolektivni Drama by Karel Čapek.

What is certain is that they and other shadowy figures of chaos including STRANGE CAGES, DUSTY MUSH, TABLE SCRAPS, ABJECTS, CAPTAIN SUUN, AS MAMAS and INSOMNICHORD are playing at The Victoria in Dalston, London, on the 23rd September, 3-11pm.

Those in favour of the ongoing planetary depredations of The Man are advised to contact their local MP.

A City Unborn

 

“I’m blind to all but a tenth of the universe.”
“What do you see?”
“The city… as if it were unborn. Rising into the sky with fingers of metal, limbs without flesh, girders without stone. Signs hanging without support. Wires dipping and swaying without poles. A city unborn. Flesh dissolved in an acid of light. A city of the dead.”

Stage One: An image is clearly a substitute or representation of something real.
Stage Two: Distinguishing between image and reality is difficult but possible.
Stage Three: There is no difference reality and representation.

Add your own code at your own pace.

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The song “What is the Light?” comes from the album The Soft Bulletin by The Flaming Lips (1999).

Trinary

Tore Nielsen, Neal Stidham and Brian Wille did me the great honour of playing Black Dog Dérive over Hangouts last night. Tremendous fun.

Ville Vuorela’s game STALKER: The SciFi Roleplaying Game is available here.

 

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Alien: Covenant

We know what will happen the moment we hear about the “next generation” human embryos aboard the colony ship: a xenomorph will impregnate them. Here though, the marriage of the fine-honed excitement of the Monster-slaying story arcs of ancient Mythology to the richness of existential inferences from the initial run of films – that Evolution occurs along a little-understood plane of immanence, that Life on Other Worlds is likely to be at least as terrifying as life on this, that Aliens allegorize aspects of organic behaviour not yet fully-explained by Scientists, that the xenomorph represents something about species’ will to survive, much, indeed, as did the alien Shapeshifter from John Carpenter‘s remake of The Thing (1982), that there is, in short, something real and meaningful going on – is exchanged for a blood-spattered retelling of the European occupation of North America as the Colonization of Other Worlds:

Alien: Covenant

Sensory Deprivation

“A typical setup might be a tank of lukewarm water in which the suitably garbed subject floats, supplied with air but cut off from such normal senses of Perception as sight, hearing and touch.”

A new entry from David Langford at the SFE on Sensory Deprivation:-

http://www.sf-encyclopedia.com/entry/sensory_deprivation

AlteredStates

Issue 2

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“Imagine the perplexity of a man outside time and space, who has lost his watch, his measuring rod and his tuning fork.”

Alfred Jarry
Exploits and Opinions of Doctor Faustrall Pataphysician



Issue 2 of Machineries of Joy is dedicated to the Nørwegian Surreal and includes contributions from:

Colin Beaver
Elizabeth Lovegrove
Jeanette McCulloch
John Rose
Matthijs Holter
Ole Peder Giæver
Ralph Lovegrove
Steve Dempsey
Tore Nielsen

Here is the PDF:

Nørwegian Surreal

Creative Agenda

Social media has turned into a game of dodge the 200 Word RPG Challenge entry, so I haven’t been online quite as much. Judging begins on April 26th (Wednesday), so I’ll probably release Issue 2 of Machineries of Joy on Monday or Tuesday. It’s on roleplaying games from the Nørwegian Surreal and includes work from the following array of wonderful people:

Colin Beaver
Elizabeth Lovegrove
Jeanette McCulloch
John Rose
Matthijs Holter
Ole Peder Giæver
Ralph Lovegrove
Steve Dempsey
Tore Nielsen

City of Eyes
“City of Eyes” by John Rose

Character Sheet Version 6 Image

Mad, Bad or Dangerous to Know?

Issue 2 of Machineries of Joy, a fanzine on roleplaying games from the Nørwegian Surreal, has doubled in size but I’m now halfway through laying it out. The main image is the character sheet for a hack of Tarot-horror game Psychosis (Charles Ryan, John Fletcher, 1993) called Infernal Desire Machines. I’ve just reread Steve Dempsey’s riotous-but-playful critique of “creative agenda” Tbilisi: it’s inspired by Georgian Dada and is a lot of fun. John Rose has supplied another collage for Steve’s game. It’s beautiful.